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Mehr Informationen über die Künstlerin finden Sie hier.

Nora Heidorn makes exhibitions, public programs, and collaborative creative projects, as well as regularly published in academic and arts contexts. Her practice is led by interdisciplinary research investigating the complex politics of sexual reproduction, health, and care. She does this through an intersectional feminist lens and using curatorial and artistic methods. She completed her LAHP-funded PhD in the Health and Care Research Cluster at the Royal College of Art, London in early 2025. Since 2022, she has been collaborating with the artist Lynne Kouassi to create and exhibit the body of work Naturkulturpolitik . Curated exhibitions include Being Horizontal , Project Arts Centre, Dublin (2023), Onyeka Igwe: Dancing with the Archive , Uferstudios, Berlin (2022); and Sick & Desiring , Bergen Assembly, Bergen (2019). She co-edited “I care by…”, Royal College of Art, London (2021) and Coming Soon , Fondazione Sandretto Re Rebaudengo and Nero editions, Turin/Rome (2018). A full archive of projects and publications is available at www.noraheidorn.com .

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Engaging in a multidisciplinary approach to her work, Celina Klohk pursues ideas around phenomenology, subjectivity and unique nature of modern day anxieties. Personal memories and imagination come together in an iterative process to re-create mundane moments, amplifying these experiences and allowing them to develop into new fictional narratives. Moments of solitude contrast busy group gatherings, introspection contrasts a forgotten self.

Celina lives and works in Berlin, Germany.

As an artist, fashion and textile designer, and photographer of Somali-German heritage, I live and work between Berlin, East and West Africa. My practice navigates belonging, identity, and Black culture, emerging from a personal inquiry into roots and heritage and the tension between two cultures. Raised in an activist family, my work intertwines personal experience with broader social questions, making art a space for reflection, self-discovery and the search for grounding.

Bubacarr Sabally, a fashion designer and model from The Gambia, migrated as a teenager to Italy and later Berlin, navigating displacement and structural racism. Sewing and design became a path of creativity and healing. His hand-crafted pieces speak to subcultures, celebrating individuality, resilience and cultural narratives.

Together, with Jasmin Moallim they lead Kairo 04.7, a collective blending fashion, photography, and contemporary art. Rooted in African perspectives and the diaspora, the project provides a platform for experimentation, collaboration and global visibility of emerging voices.

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Mehr Informationen über die Künstlerin finden Sie hier.

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Katrin Wegemann studierte Bildhauerei an der Kunsthochschule Berlin-Weißensee bei Prof. Inge Mahn und war Meisterschülerin bei Prof. Else Gabriel. Seit 2010 arbeitet sie als Bildhauerin und Choreografin, meist ist die Zeit ein Element ihrer Skulpturen oder raumgreifenden Aufführungen. Sie erstellt maschinell oder durch menschliche Energie betriebene Skulpturen mit Bezug zum Raum. In Zusammenarbeit mit Syelle Hase (Hg.) veröffentlichte sie das Buch „Sammlung des Flüchtigen – Über das Festhalten des Ephemeren“ (2017) Recklinghausen: Verlag Kettler.

www.katrinwegemann.de

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‍ ‍Eleni Poulou makes music, composes, DJs, hosts radio shows and makes sound installations, writes poetry, lyrics and makes zines. Most of all she likes to connect people. She has been friends with Dave Huismans for a decade. As a solo artist and with various bands – including The Fall, Bomb Sniffing Dogs, Organza Ray, and NOHE NOSHE – she has performed internationally.

‍ ‍She curates an experimental baroque music series at Haus am Waldsee in Berlin. 

‍ ‍In 2022, Poulou co-founded the band Organza Ray with Hilary Jeffery; together, they initiated the ensemble E.T.U.D.E., dedicated to exploring the Fluxus works of Philip Corner and performing his new compositions alongside Theresa Patzschke and Martin. The newest Organza Ray track"Mavra Valitsa" features Tony Morris.

‍ ‍Poulou has collaborated with artists such as Petr Step Kišur (founder of the Honey Suckle Company), with whom she performed as the duo NOHE NOSHE at the ICA, and Iris Touliatou, composing sound pieces for installations at Kunsthalle Basel and Grazer Kunstverein.

‍ ‍She regularly hosts her own radio shows, including “Elope” on Cashmere Radio and “Kastra” on Stegi Radio, and has appeared as a host on Montezpress Radio, Rinse France, RTM FM, Noods Radio, and NTS. Her most recent solo album, Karta (2022), fuses Pontic music from Greece with electronic club sounds of the 20th and 21st centuries. Poulou is also co-curator of the 2025 edition of the KRAMA Festival in Athens and the 2026 edition of NNOI festival near Berlin.

‍ ‍Upcoming releases in 2026 include an album by Hilary Jeffery with Julie Tippett on Discus Music, a new Organza Ray album

‍ ‍https://organzaray.bandcamp.com/
https://elenipoulou.bandcamp.com/album/karta

Solo performance:
https://www.nbk.org/en/diskurs/eleni-poulou-kessire-effect

Wire Mix:
https://www.thewire.co.uk/audio/tracks/wire-mix-eleni-poulou

Monthly radio shows:
https://stegi.radio/podcasts/kastra
https://cashmereradio.com/shows/elope

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Jola Hauschild Jola Hauschild (*1998 in Berlin) absolvierte 2026 ihr Studium im Textil- und Materialdesign an der Weißensee Kunsthochschule Berlin. Sie arbeitet sowohl im Bereich der Szenografie als auch an freien Arbeiten zwischen Textildesign und freier Kunst. Dabei untersucht sie emotionale Bezüge und die Beziehung zwischen Mensch und Material sowie implizite Umgangsweisen mit Objekten.

Die Frage, wie ein Material eine Technik oder ein Objekt mehr erzählen kann als die Summe ihrer Komponenten, zieht sich durch Ihre Arbeiten. Materialien versteht sie dabei als Träger von Geschichten und Erinnerungen, deren Provenienz ebenso Teil der Arbeit ist wie die sozialen Prozesse, die sich um sie herum entfalten. Dabei greift sie auf klassische Mittel des Textildesigns zurück, wie die Technik des Webens, bedient sich aber auch freier künstlerischer Methoden. So werden die Grenzen zwischen Kunst und Design immer wieder hinterfragt und Räume geschaffen, in denen in bestehenden Gegebenheiten sanft interveniert wird.
Auf der Suche nach Wegen, durch Geschichten Objekten Langlebigkeit zu verschaffen, integriert sie immer wieder found objects. Eine recherchenhafte Vorgehensweise mündet in künstlerisch-dokumentarischen Arbeiten.

Jola Hauschild (born 1998 in Berlin) graduated in 2026 with a degree in Textile and Material Design from the Weißensee Academy of Art in Berlin. She works both in the field of scenography and on independent projects that blend textile design and fine art. In her work, she explores emotional connections and the relationship between people and materials, as well as implicit ways of engaging with objects.

The question of how a material can convey more about a technique or an object than the sum of its components runs through her work. She views materials as carriers of stories and memories, whose provenance is as integral to the work as the social processes that unfold around them. In doing so, she draws on classical methods of textile design, such as the technique of weaving, whilst also employing free artistic methods.
In this way, the boundaries between art and design are continually questioned, and spaces are created in which gentle interventions are made within existing contexts. In her search for ways to extend the longevity of objects through stories, she frequently incorpo.